Photographer: Writing With Light
From shutter click to final print—there is no aspect of the photographic process L. Ron Hubbard did not master. Here, then, is a photographic journey of rare depth, insight and beauty.
I won’t take a photograph of anybody or photographs for anybody unless I feel it will do them some good. —L. Ron Hubbard |
- An Introduction to L. Ron Hubbard
- First Frames
- » The Kodak Brownie Jr.
- » Guam
- » China
- Adventures and Expeditions
- » The Caribbean Motion Picture Expedition
- » The Puerto Rican Mineralogical Expedition
- » Voyage to Alaska
- » Stereo Photography
- Photographs from the Formative Years of Scientology
- » Greece
- » The Canon
- New Photographic Vistas from Saint Hill
- » The Rolleiflex Collection
- » The Saint Hill Darkroom
- » The Rear Screen Projector
- » Letter to Professor Land
- » Sir Robert Fossett’s Circus
- » Selections for Exhibition
- » The Deardorff
- » Self-Portraits
- » The Linhof
- Is It Art? by L. Ron Hubbard
- A Photographic Holiday
- » Nikonos Underwater Camera
- » The Voigtländer
- » Flamenco Dancers
- » The Bullfight
- Ports of Call
- » The Rollei 35
- » The Gandolfi
- » Mamiya C33
- The Photo Shoot Organization
- » Cameras of the Photo Shoot Organization
- » The Lisbon Maritime Museum
- » The Synagogue of Mikvé Israel-Emanuel
- » On Behalf of the New York Explorers Club
- » The Curaçao Bridge
- » Portrait of a Caribbean Minister
- Filters
- » Color Temperature
- » The SEI (Salford Electrical Instruments) Meter
- The Latter Years
- » The Minox
- » Minolta CLE
- » Gadget Bag
- » The 35mm Systems
- » Leica
- » The Camera Room
- » Testing
- Instruction
- » Notes on Composition by L. Ron Hubbard
- » Camera Stable Data by L. Ron Hubbard
- One Last Image